‘Detroit” is in trouble at the box office. Few expected Kathryn Bigelow’s film about the 1967 Detroit riots to burn up the box office; it’s not exactly blockbuster material. As theaters reported underwhelming turnout for “Detroit” throughout the weekend — the film arrived in eighth place — rival producers privately questioned Annapura’s rollout strategy as too wide too fast. It'll be lucky to even gross $30m at this point. 8 position, wedged between the second weekend of “Atomic Blonde” and the fourth of “War for the Planet of the Apes.” Its $7.1 million opening was the lowest this year of any film opening in more than 3,000 theaters, lower than even May’s “Diary of a Wimpy Kid: The Long Haul.”. But in a summertime dominated by superheroes — did you hear “Wonder Woman” just crossed the $400 million mark? Fact-based drama set during the 1967 Detroit riots in which a group of rogue police officers respond to a complaint with retribution rather than justice on their minds. ), “Watching ‘Detroit’ I realized that I’m not interested in white perceptions of black pain,” Angelica Jade Bastien wrote in her two-star review of the film on RogerEbert.com. Conditions of Use 1. Ilze Kitshoff/Sony Pictures, via Associated Press. For its part, Annapurna positioned the “Detroit” results as just the beginning. (That figure has slid from 94 percent prior to its wide opening.) Highly anticipated should-be contenders that have yet to be seen include Steven Spielberg’s Pentagon project “The Papers,” Paul Thomas Anderson’s “The Phantom Thread,” the Thomas Edison story “The Current War” and Alexander Payne’s “Downsizing.”. Also, I'd disagree that John Boyega is well known in the sense that would translate to carrying a movie at the boxoffice, his celebrity isn't that big yet. LOS ANGELES — Kathryn Bigelow’s well-reviewed “Detroit” arrived to about $7.3 million in North American ticket sales over the weekend, a limp result for a wide-release movie that cost at least $55 million to make and market. Annapurna Pictures, the film’s distributor, opened “Detroit” on a handful of screens a week early, hoping to build buzz for its wide release. Financial analysis of Doctor Detroit (1983) including budget, domestic and international box office gross, DVD and Blu-ray sales reports, total earnings and profitability. “Detroit” is Ms. Bigelow’s first feature film in five years and stars John Boyega, Anthony Mackie and Will Poulter. Bigelow has said she wants the film to help start a much-needed dialogue on race, but the conversation the film seems to be spurring is whether it’s the proper film to start a dialogue on race or whether it’s a cultural drive-by. “The Dark Tower,” which most critics disliked, took in $19.5 million, a soft total that was nonetheless enough for No. “It gives us an opportunity to learn and grow, and I think that’s what this movie does. 1. Drama It’s worth noting that it’s been nearly a decade since a film released in summertime has gone on to win an Oscar for Best Picture. Weekend | Megan Colligan, Paramount’s president of worldwide marketing and distribution, said in an email that it was unfair to compare box-office returns for the two documentaries, contending that the earlier film benefited from a less arduous theatrical marketplace. The poor box-office results for “Detroit” do not necessarily dash any Academy Award hopes that Annapurna may have for the film, which received overwhelmingly positive reviews. Founded by 2011 by the Oracle heiress Megan Ellison, Annapurna has been a successful producer of prestige-minded dramas like “American Hustle” and Ms. Bigelow’s “Zero Dark Thirty.” But Ms. Ellison, until now, has always relied on experienced studio partners to market and distribute her movies. But “An Inconvenient Sequel: Truth to Power” (Paramount) struggled. Mark Boal wrote the screenplay. Based on the Algiers Motel incident during Detroit’s 1967 12th Street Riot, the film’s release commemorated the 50th anniversary of the event.

In 2010, a movie made minimal waves at the box office and had issues connecting with audiences because of its difficult subject matter, but went on to outlast the competition and win the big prize. The film still has critical reaction on its side, and an 84 percent approval rating on critical aggregation site Rotten Tomatoes. © 2020 www.detroitnews.com.

She called weekend results for the follow-up movie “very solid” and “a top number for any documentary in recent years.”, ‘Detroit’ Suffers Box-Office Setback as ‘Dark Tower’ Is No. “Those conversations are beginning to be had by people who would have never had the conversations without the film,” said Moore, who has seen “Detroit” twice.

We believe in the message of the movie.”. Box Office Mojo and IMDb are trademarks or registered trademarks of IMDb.com, Inc. or its affiliates. Crime under which this service is provided to you. It's definitely a bomb its box office is only at 13m, it's unlikely to gross much more and the international box office won't save it because of the subject matter. “Detroit” is a period crime drama film directed by Kathryn Bigelow and written by Mark Boal. Showdowns.

Other people in Hollywood applauded Ms. Ellison for giving substantial backing to an important filmmaker who wanted to tell an important story. IMDb “Detroit” was Annapurna’s first attempt to go it alone. “‘Detroit’ was directed, written, produced, shot, and edited by white creatives who do not understand the weight of the images they hone in on with an unflinching gaze.”, In Complex, Justin Davis writes “Detroit” undoes the progress made by such 2016 films as “Hidden Figures” and last year’s best picture winner “Moonlight,” in which black characters transcended traditional Hollywood characterizations. Fact-based drama set during the 1967 Detroit riots in which a group of rogue police officers respond to a complaint with retribution rather than justice on their minds. But its under-performance hurts it and could damage its awards season hopes, where it was once thought to be a surefire best picture contender. Another upstart distributor, Aviron Pictures, had a slightly better weekend. That movie? a searingly intense, claustrophobic racial thriller, Your California Privacy Rights / Privacy Policy. “There is always room for a smart movie,” Mr. Lomis said. That documentary expanded to 180 locations in its second weekend and took in about $900,000. So whether Kathryn Bigelow made the movie or Juanita Moore made the movie, which I didn’t, I think what’s important is that the movie was made.”. Anthony Mackie stars in “Detroit,” a well-reviewed drama that struggled to find an audience at North American theaters over the weekend. “I think we can stay in theaters and find our audience.” He added: “We are extremely proud of the movie. Ticket buyers gave it an A-minus in CinemaScore exit polls. 13 position, with a 58 percent dip from the previous week. But “Detroit” was the release that Hollywood was watching most keenly, partly because it represented an effort by Annapurna Pictures to join the movie-business big leagues. “Detroit” is struggling at the box office. While the opening was tied to the 50th anniversary of the Detroit riots, a slow rollout during awards season was likely a better, more strategic play. company. Critics agree that the film is tough as nails, although some have likened it to a horror movie (in his 1.5 star pan, the Globe and Mail’s John Semley likens it to “racial torture porn”). Privacy Policy This weekend, the film dropped five spots to the No. © IMDb.com, Inc. or its affiliates. Also of note: “Wind River,” directed and written by Taylor Sheridan (“Hell or High Water”), collected $164,167 in four theaters for the Weinstein Company, one of the best limited-release results of the year. Museum director Juanita Moore says that is true of many Hollywood films, but the fact that it was made allows for these types of discussions to take place, and that is ultimately positive. “Detroit,” released on 3,007 screens in North America, took in roughly 30 percent less than box-office analysts had predicted before release. That distinction belonged to “The Dark Tower,” a troubled adaptation of Stephen King’s book series that cost Sony and Media Rights Capital about $60 million to make and tens of millions more to market. Despite strong reviews, the film set in Detroit's summer of '67 failed to meet box office analysts' predictions, earning just $7 million this weekend It’s 2017, so there were bound to be accusations of appropriation tied to the film. (Bigelow and Boal are both white. Daily | “He knows that we are talented, that we are oppressed, and that we are targets — but he doesn’t know what it’s like to BE us.”.

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Last weekend, "Detroit" earned $7.3 million during its wide-release debut at more than 3,000 theaters, a much lower result than the $13 million that had been predicted by box office trackers. 1 spot. All rights reserved.

All rights reserved. — a searingly intense, claustrophobic racial thriller based on true events is proving to be a tough sell. “Detroit,” released on 3,007 screens in North America, took in roughly 30 percent less than box-office analysts had predicted before release. DETROIT - Despite success with critics - who gave it an A- CinemaScore and certified it "fresh" on Rotten Tomatoes - "Detroit" is proving to be a drag at the box office. Latest Updates: All Time | Idris Elba, left, and Matthew McConaughey in “The Dark Tower,” which took the No. “In Boal’s goal to give an unflinchingly ‘real’ interpretation of the (Algiers) incident, he’s removed all semblance of a real understanding of the Black experience,” Davis writes.

Thriller. The film has a long road ahead of it toward awards season contention, but could slip into the best picture race, depending on how fall’s slate of Oscar hopefuls plays out. The film, which has been reviewed well by critics, struggled to bring in impressive numbers over the weekend. But that film, directed by Ms. Bigelow from a screenplay written by Mr. Boal, went on to win six Oscars, including one for best picture.

Aviron, founded by the longtime indie film executive David Dinerstein, paid about $3 million for distribution rights to “Kidnap,” which was independently financed for about $20 million. “We wish more people would have shown,” Erik Lomis, Annapura’s president of distribution, said by phone on Sunday. News | To compare, “An Inconvenient Truth” managed $1.4 million in its second weekend in 2006 — in only 77 theaters. The film landed its opening weekend in the No. Detroit. and Some have challenged the film’s merits and questioned whether the story of the Algiers Motel incident — in which three black men were killed by a group of white cops — is director Bigelow and screenwriter Mark Boal’s story to tell. Bigelow herself admitted that she’s not the best person to tell the story during a discussion of the film last month at the Charles H. Wright Museum of African American History. The box office isn’t the only place where “Detroit” is hurting. “The Hurt Locker,” directed by Kathryn Bigelow. To date the movie, which carries a budget estimated between $35-$40 million, has earned just $13.4 million. BoxOfficeMojo.com by IMDbPro - an “Detroit,” a harrowing account of the riots that engulfed that city in 1967, with a focus on the killing of black teenagers by the police, was not Hollywood’s most expensive new offering. “The Hurt Locker,” released in June 2009, only took in about $20 million during its entire theatrical run. To date the movie, which carries a budget estimated between $35-$40 million, has earned just $13.4 million.

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